Reviewed, Interviewed, Discussed

Reviewed, Interviewed, Discussed, Etc.

• Publishing and historiographic work discussed in Jason Rodgers, War of Dreams: A Field Guide to DIY Psy-Ops: "Samizdat & Xerography: Why Zines Refuse to Die" & "Stashing the Tacky Little Pamphlets". Autonomedia: New York, 2024.
  
• tENTATIVELY, a cONVENIENCE,  Review of Lindsann's Arthur Dies, Chronicle I, Vol. 1, on Goodreads. Dec. 4, 2023. 
  
• Caress of the Periphery of the After-Margin, by tENTATIVELY, a cONVENIENCE. Lindsann interviewed & filmed in performance & informal contexts, in extended documentary film on AfterMAF 2023 (co-organised/spearheaded by Lindsann). July, 2023.
• Jason Rodgers, Reviews of No Quarter #10 including Lindsann's "Advent of the Great Evadah" and of Synapse #6 in Asymmetrical Anti-Media (print), No. 16, Spring 2023.
• Jason Rodgers, Reviews of Synapse #5, Rêvenance #9 & Cupcake Train #2 (edited by Lindsann) and The Pomegranate and the Rose, Geriatrics at the Hearth, & Ballad of Bad Rhymers in Asymmetrical Anti-Media (print), No. 15, Fall 2022.
• tENTATIVELY, a cONVENIENCE,  Extended review of Lindsann's chapbook Carmen Pro Pleroma, on Goodreads. Sept. 21, 2022. 
  
• tENTATIVELY, a cONVENIENCE,  Extended review of Lindsann's chapbook Two Cities: On Carcosa and Golgonooza, on Goodreads. Sept. 20, 2022.
  
• Chuck Welch, Lindsann's role co-organising the Roanoke node of the 2012 Networkers' Congress Discussed in long historical essay "Mail Art in Cyberspace", posted on  crosses.net website. Posted July 2022.
• David Tighe, Review of In-Appropriated Press Nos. 13 & 16, Rêvenance Nos. 5 & 6 (Lindsann as editor) and Two Cities: On Carcosa and Golgonooza (as author) in No Quarter (print), No. 10, May 2022.
  
• Fifth Estate Vol. 57, No. 1 - Anarchist Review of Books / #411. Print Magazine, ed. PM Press Collective. Historiographic/archival work cited in "Stashing the Tacky little Pamphlets", by Jason Rodgers. Spring (April) 2022.
• David Tighe, Review of Lindsann's translation/edition of Albert-Birot's Songs to Shout and Dance: Performance Poems, 1916-1920 in Gut Bucket Research (print), No. 9, Aug. 2021. 
• Sound poetry & Avant-Garde Performance with Hannah Silva. Lindsann's work c. 2005-06 discussed by Silva during video interview by Pete the Temp Bearder on Performance Poetry Youtube channel. Posted March 22, 2021.
  
• Jason Rodgers, Reviews of Coronaeconomics, Imbolcide, Cartomancy, Avantopia With Dummies, and Quarantzine in Asymmetrical Anti-Media (print), No. 13, Spring 2021.
• Sidney Drmay, "Explore the chaos of a classic cut-and-paste zine in 'The In-Appropriated Press #16". Online review of InAppropriated Press, #16. Broken Pencil Zine Review. April 15, 2021.
  
• tENTATIVELY, a cONVENIENCE, Lindsann's poems discussed as part of review of Otoliths #56 (Vol. 1) on Goodreads. Dec. 29, 2020.
  
• In the Moment: Artists and Their Work. Discussion with Brian Counihan, moderated by Meggin Hicklin as part of regular series. Live via Zoom during 2020 Covid Pandemic. The Moss Center for the Arts, Virginia Tech University. Dec. 4, 2020.
  
• ANA [agência de notícias anarquistas], "Por que os zines se recusam a morrer – Samizdat & Xerography" on Agência de notícias anarquistas blog. mOnocle-Lash discussed & Lindsann's How Do We Know quoted in Portuguese article on radical publishing. Aug. 17, 2020.
  
• Jason Rodgers, Reviews of Rêvenance #6 & 7, The inAppropriated Press #16, Carmen Pro Pleroma, and QuarantZine # 1 & 2 in Asymmetrical Anti-Media (print), No. 11, Summer 2020.
• Pete Bearder, "Spoken Word is Dead: Long Live Poetry?" on Apples and Snakes Spoken Word / Poetry Blog. Lindsann's lecture The Pre-History of Sound Poetry quoted (passage quoted @22:00-22:19 min. mark HERE) . Posted May 26, 2020.
• Jason Rodgers, "Why Zines Refuse to Die" in Fifth Estate (Print & Online), #406, Spring 2020. mOnocle-Lash Anti-Press catalog discussed and Lindsann's How Do We Know quoted.
• Jason Rodgers, Review of assorted mOnole-Lash & Revenant Editions publications in Asymmetrical Anti-Media (print) in No. 9, Fall 2019.
• Eileen Tabios, translation of Borel's Lycanthropy mentioned in yearly reading list. Eileen Verbs Books blog. Jan. 2019.
  
• Eileen Taibos, Review of Profanity Poems in Galatea Resurrects online review. Oct. 22, 2018. Lindsann's response posted on editor's blog.
• W.J. Weikart, "A rootless cosmopolitan and cultural radical finds scraps of solace and inspiration down by the Roanoke River." Performance of July 28, 2018 discussed in Opinion article on Roanoke avant-garde community. The Roanoke Times, Roanoke, VA. Oct. 15, 2018.
• Discussion of role as organiser & performer in AfterMAF Festival in interview of Ralph Eaton about the festival, in Issues #17, July 2018.
• Jim Leftwich, Diaristic Report – review of performance on Aug. 13 set at Art Rat Studios, Roanoke with Decide Today, Mr. Thursday, Tater Fraterabo & Wilheim Katastrof. Arteidolia, Sept. 2017.
• Ivan Arguelles, Critical Afterward to Arthur Dies: Chronicle 1, Vol. 2. & Lindsann's Statement on Arthur Dies (taken from correspondence with Argüelles) on back cover. Luna Bisonte, Aug. 2017.
• Catherine Mehrl Bennett, Lindsann's performance of Schwitters' Ursonate cited in essay on the history of sound poetry and asemic writing. Over the Sofa / Under the Skin / Inside the Head Blog. March 19, 2017.
• Alan Reed, "On the Work of Olchar E. Lindsann." Unpublished essay (20 pp.).
• "Our View: We need More Songs". Mention of novel King Jaundice in newspaper op-ed. Roanoke Times, Aug. 10, 2015.
• Agam Andreas, Notice/Review of joint issue of Synapse/Slova. Google-Translated version posted on Nictoglobe. Dec. 29 2014.
• Discussion of performance event initiated by Lindsann at the 2013 Marginal Arts Festival, in blog article by C. Mehrl Bennett. Over the Sofa / Under the Skin / Inside the Head Blog. Oct. 7, 2014. 
• Interviewed for Feature Article on Marginal Arts Festival for the Roanoke Times, Roanoke VA. Article by Mike Allen, March 21, 2014.
• Participant-Review by C.M. Bennett of 2013 Marginal Arts Festival. Over The Sofa / Under the Skin / Inside the Head Blog. April 16, 2013. 
• Discussed in Review of 2013 Marginal Arts Festival. Roanoke Star-Sentinel. April 1, 2013.
• Essay Anachronism as Dissent cited by A. Reed in discussion of his review of Donato Mancini's You Must Work Harder to Write Poetry of Excellence. Lemon Hound. (ed. Sina Queyras). Nov. 24, 2012.
• Participant-Review by C.M. Bennett of Decentralized Networkers' Congress. Art Words and Art Works Blog. Nov. 3, 2012. 
• Noise / Fluxus version of Profanity Poems chapbook performed by PCRV (M. Taggart). Billings, MT. July, 2011.
• Review of 2011 Marginal Arts Festival and Panel Discussion moderated by Lindsann. Roanoke Star-Sentinel. March 10, 2011.
• Interview by Michael Peters in PNA Special Feature. Word for/Word #16 (ed. Jonathan Minton). Feb-March, 2010.
• E.A. Eralande, “To Be in Revolt: An Essay in Twelve Parts” (response to Lindsann's "Against Complicity"). in Synapse #4, Dec. 2009.
  
• Reference in review by J.M. Bennett of Geof Huth's Longfellow Memoranda. In Galatea Resurrects blog-journal. Issue #12, May 20, 2009
• Review by Geof Huth of performance poem. In dbqb: Visualizing Poetics blog, Dec. 29, 2008
• Interview of Jim Leftwich, Aug. 29, 2008: 
• Review by Linda Cleary of Something Like Spit exhibition. artcornwall.org, May 22, 2008
• Review by Warren Fry of Be Blank Consort performance. The Brooklyn Rail, Dec. 2007:
• Review of chapbook Puking Trolley by Bob Grumman. po-X-cetera blog, Aug. 21, 2007.
• Interview of David Beris Edwards. ProsePlease, Sept. 2007.
• Review by K. Wynne & P. Davies in Sponge Pudding, No. Six of performance at one.c Goes to the Cavern Club. May 14, 2006.
• Review by Melissa Starker in The Columbus Alive of Re: Pete: The Novel: The Exhibition. Nov. 14, 2002.